Sarah Jerath

Her hand coiled primitive organic  vessels are embellished with the natural materials  she forages on her quarry hill, the alchemy of nature, a play  in her hands, the elemental imbued. She also uses ash from trees and stone  in her japanese  influenced glazes.  

The raw clays are unprocessed to leave the history of the clays formation intrinsic.

Some of her work is fired in a primitive Japanese anagama kiln with natural ash deposits and reduction cooling. 

Sarah collaborates with galleries interior designers and private clients offering earth  conscious material and wabi sabi  design consultancy for  her collections which include clay plaster wall art, earth paintings, tablewares, khadi textiles and hand stitched clothing made in indigenous communities in India.