I've always been sensitive to "damaged," "abandoned," or weathered objects in the process of transformation. For my work, I look for old books everywhere. I'm fascinated by their beauty and fragility.
It’s an encounter with a spiritual world, complex and inexplicable…at once close to and far from reality.
Wabi Sabi is like a mirror of truth in the choreography of time and life in all its facets.
It’s the opposite of artificial, external beauty, the dream of eternal youth and the end of artificial intelligence.